A portrait receiving the award is generally considered the ‘kiss of death’ for its chances of winning the main award because the packing room prizewinner has never gone on to win the Archibald Prize.
The Sydney-based artist says he sees portrait painting as a way to sometimes meet people he admires, and took a shot at coaxing the filmmaker into a studio.
Waititi agreed to sit for him in June last year while in Sydney making the upcoming film Thor: Love and Thunder.
‘He’s one of my favourite writers. His scripts are just beautiful,’ Stangl told AAP.
‘It was really fortunate. I knew if I reached out to him whilst the last Archibald was going, I might get a little window of time when he’s in the country.’
Stangl’s creative partner Stuart Miller happened to know Neil Sharma, who worked with Waititi on Thor, so the artist managed to send through some ideas on how they should approach the portrait.
He settled on a 3D-style painting to express Waititi’s playfulness, wit and charm, and wanted it to feel nostalgic as a ‘homage to the graphics in the film of our era’.
‘Taika is born in ’75, I’m born in ’80; it’s more about what sort of visuals he may have been exposed to as a boy,’ Stangl said.
‘My memories are cereal boxes with 3D, posters with 3D, films coming out in 3D.
Also, (it was) a big challenge. I like to challenge myself with each picture I make.’
Waititi, posting a photo of the portrait on Instagram on Thursday, said the win was ‘an absolute kick in the baramundies for Ockers as they try to figure out how the f*** a New Zealand supermodel won one of their most beloved awards’.
‘And what’s better than a 2D painting of this gifted, cocky, Kiwi son of a gunslinger … is that’s a 3D painting! More Taika, more reason to live!
‘Thank you Claus, thanks Archie, and thank you, ‘Straya.’
Head packer Brett Cuthbertson holds 52 per cent of the vote for the Packing Room Prize, and this year was his last on the judging panel. He will retire after 41 years with the Art Gallery of NSW.